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Ethical, Legal, and Professional Issues in the Practice of Marriage and Family Therapy, Updated (5th Edition) (New 2013 Counseling Titles)
Free Ebook Ethical, Legal, and Professional Issues in the Practice of Marriage and Family Therapy, Updated (5th Edition) (New 2013 Counseling Titles)
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From the Back Cover
Thoughtful and reflective, this best-selling text on marriage and family therapy opens with a groundbreaking discussion of value-sensitive care, the ecology of therapy, and acculturation. Armed with this extensive knowledge and insight, students then delve into the traditional and contemporary issues surrounding marriage and family counseling today, broken down into legal, ethical and professional considerations. The updated Fifth Edition includes a number of new topics, including multicultural issues reflecting institutional oppression; the significance of supervision in both skill acquisition and professional acculturation in one’s early career; nontraditional family care; conflicts between legal and ethical obligations; emerging issues in MFT licensure; and ethical and empirical considerations related to evidence-based care. New Features: New Ethical Code – An examination of the 2012 Code of Ethics of the American Association for Marriage and Family Therapy. Case examples located in three special chapters allow readers to consider realistic client situations and considerations as they cover related topics and content in the text. “Reflections” features located throughout the text offer illustrations and accompanying stimulus questions that promote discussions and thought in graduate classes, group settings, or other forums of professional dialogue. A revised discussion of value-sensitive care and the ecology of therapy concerning layers of values and sources of power within families allow readers to examine the distinct and often competing personal and systemic factors affecting their care for clients. An emphasis on professional acculturation in decision-making provides pre-service counselors with a unique framework for examining dissonance and finding balance in the personal and professional roles of therapists. An examination of mandatory versus discretionary actions in ethical behavior helps students distinguish between the compelling requirements in ethical codes versus their responsible freedom for judgment based on their professional acculturation in ethical decision-making. An expanded discussion of multicultural concerns give readers the opportunity to consider both established and novel strategies for increasing their culturally sensitive care with individuals, couples, and families. Coverage of emergent legal issues and recent court cases give readers the opportunity to contemplate their existing therapy, supervisory, instructional, or research practices in light of contemporary legal decisions. Coverage of new professional issues and research allow readers to reflect upon the most current information affecting their professional identity, options for professional development, and anticipated challenges for care with individuals, couples, and families. A revised format and updated references provides students with an even more thoughtful presentation of information as well as a significant number of new references and resources.
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Product details
Series: New 2013 Counseling Titles
Paperback: 432 pages
Publisher: Pearson; 5 edition (January 17, 2013)
Language: English
ISBN-10: 9780133377446
ISBN-13: 978-0133377446
ASIN: 013337744X
Product Dimensions:
7.4 x 1.2 x 9.1 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
3.5 out of 5 stars
21 customer reviews
Amazon Best Sellers Rank:
#77,166 in Books (See Top 100 in Books)
Horrible. Do nooot rent under any circumstance.
I have used this book in the ethics class I teach, but be aware that the AAMFT Code of Ethics was updated again since this edition was published. After 11 years with no revisions, AAMFT revised its Code of Ethics in 2012 and again in 2015, so I feel for the authors having to try to keep up with this - they revised the 5th edition to incorporate the 2012 Code of Ethics revision. I'm really hoping the authors revise this again as they have done a great job in this and in earlier editions.
This is an awesome resource,,,unfortunately windows 8 does not support on kindle so I had to use my little computer to access...The read is very direct with lots of practice examples...a must read for any person going into this field of expertise...Highly recommend!
This book was required reading form my class on Marriage and Family Ethics. I was not too excited about reading yet another book on ethics, but once I started looking through the book I saw that this was not your normal dry ethics book. It had case studies that brought context and covered all the new changes in laws and polices that are current. It even covers other professional issuers for counselors such as supervision and licensure. I recommend this book if you want to be up to date in your practice. In the appendix it also includes sample documents for privacy polices and disclosure forms to help the clinician create their own that is up to standards. The most helpful part for me was a diagram of a decision tree, to help guide ethical decision making.
Interesting, if somewhat dense.
This book is very helpful to understand legal issues when working with clients.
I am very disappointed with the quality of this book. it seems like it was drawn in water. this book has highlighted all over.
Easy reader and it has the information needed
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Get Free Ebook Cool Smoke: The Art of Great Barbecue
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Cool Smoke: The Art of Great Barbecue
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Review
“Enjoyable…accessible…Stone is an exuberant, knowledgeable guide to backyard barbecuing.â€â€•Publishers Weekly"Barbecue-champion Stone delivers a thorough, well-organized, liberally illustrated handbook that will fully serve readers at any skill level, from casual weekend grillers to serious chefs whose sights are set on competing....Stone’s enthusiasm and competence jump off the page." ―Alan Moores, Booklist"In this brave new world of short attention spans, genuine mastery informed by passion is a rare commodity. I traveled to The Mideast with Tuffy to cook true BBQ for thousands of troops, produced television shows featuring him, even competed against the man in contests (no contest), and, unflappably, his clear-eyed command of this culinary art has transformed him into a sensei of smoked meat. Even more remarkably, he’ll share with you his lifetime of knowledge just for the asking. Other pitmasters famously cling to that one secret, but Tuffy Stone always opens wide his vault, which is deep and bountiful. And that’s what makes his first cookbook a genuine treasure."―John Markus, co-creator of BBQ Pitmasters, chief cook of competition team Central Pork West, and an Emmy and Peabody award-winning writer"The art of making world class Barbecue is deep rooted in “The Processâ€. Thousands of hours spent tending fires, designing recipes, and studying the science. Tuffy’s book is a brilliant journey through all those painstaking hours."―Billy Durney, Hometown Bar-B-Que"There are very few people in this world that know BBQ live BBQ and can actually teach you about the art of BBQ. Tuffy Stone is definitely one of those people!" ―John Tesar, Chef and owner of Knife Steak and Knife Burger, author of Knife: Texas Steak House Meals at Home "TuffyStone is the hardest working person in barbecue, always perfecting his craft, looking for the utopian bite. His dedication to the art of cooking makes him a master of not only barbecue, but any genre of cooking. I am always amazed by his food and can taste his heart and soul in every bite. Quite simply, he is the gold-standard of barbecue and an inspiration to me."―Melissa Cookston, World Champion Barbecue Pitmaster, Chef and Owner of Memphis Barbecue Company and Barbecue Hall of Fame Inductee“This timeless collection of recipes from a live fire master is a must have for any serious cooking enthusiast. Cool Smoke not only delves into the championship-winning barbecue Tuffy is famous for, but pushes well beyond the realm of pulled pork with a host of interesting ingredients and thoughtful dishes. A perfect mashup of chef and cook―Tuffy’s cooking is like a professional palate unleashed at a campfire.â€â€•Jess Pryles, cook, author, TV host, and co-founder of the Australasian Barbecue Alliance"A successful barbecue is a communal event, as is Tuffy Stone’s first book. Tuffy’s inviting charm welcomes the reader into his world of fire, smoke, and outdoor cooking. His recipes and techniques are a mix of tradition, science, creativity, and art, explained as a friend would, while sharing a grill."―Chris Lilly, World Championship Pitmaster, Big Bob Gibson Bar-B-Q“DAVID!!!DAVID! What in the world??? Are you licking that book??? My wife catching me licking the pages of Tuffy Stone’s new cookbook―it takes a real man to admit that he’s done something as foolish as getting caught licking the pages of new cookbook! Folks if you love great tasting barbecue and if you ever wanted to learn all the deepest dark secrets of mastering your grill from one of America’s most revered, award-winning barbecue pitmasters then you absolutely need to get this gorgeous barbecue cookbook. The recipes are beyond delicious, the pictures will cause you to drool, and what you smoke-up or grill-up will make you instant barbecue royalty in your neighborhood! Get you this cookbook now―you’re gonna love it “I guaran-damn-tee it!â€â€•Famous Dave Anderson, America’s Rib King and BBQ Hall of Famer, Founder of Jimmey’s Old Southern BBQ Smokehouse, and Famous Dave’s Legendary Pit Barbecue"Being a third generation barbecue man myself, I appreciate, and am proud of the folks who preserve the tradition of what it really means to cook it in it’s purest form. Tuffy Stone is one of those people. His book is a peek inside what it truly means, and where it comes from. Not just where to source protein, or ingredients, but where it really comes from, and that is the heart. Tuffy has a big heart, and his food comes from the soul. When you find talent, integrity, kindness, and passion in a person, you have a treasure. Tuffy Stone is that treasure, and I am honored to call him a friend."―Sam Jones, Third Generation Barbecue Man, Legendary Whole Hog Cook, and Owner of Sam Jones BBQ"Cool Smoke is a thoughtful collection of stories, techniques and well tested recipes that reflect the balance between discipline and meticulous craft that makes Tuffy one the best bbq cooks there is..."―Aaron Franklin, host of BBQ with Franklin and owner of Austin's Franklin Barbecue"Tuffy Stone is both a highly skilled chef and a seasoned pitmaster ― a winning combination that has led to unparalleled success on the barbecue circuit. Applying his meticulous and methodical manner and knowledge, he has written a book that will help any aspiring barbecue cook master the art of cooking with fire. This long-awaited tome will be a welcome addition to every barbecuer’s arsenal. Barbecue is as much a culture and a family as it is a food group and Tuffy epitomizes the spirit of barbecue. We are privileged to call him a friend."―Mike Mills and Amy Mills, authors of Praise the Lard and owners of 17th Street Barbecue
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About the Author
Tuffy Stone is a World Record-breaking champion pitmaster, a former Marine, a classically-trained chef, an acclaimed caterer, and an occasional reality television star. Dubbed “The Professor,†Tuffy’s legendary precision and obsession with the science of smoke make him one of the most influential people in barbecue. In the 13 years since he founded Cool Smoke Barbecue, the team has won hundreds of trophies including more than 40 Grand Championships and five World Grand Championships. Cool Smoke is the only team in history to have won the prestigious Jack Daniel’s Barbecue World Championship back to back and the only team to have won it three times, doing so in 2013, 2015, and 2016. As a result of his success on the competition circuit and his extensive knowledge of all things barbecue, he was selected to join Destination America’s show BBQ Pitmasters, in 2012. Tuffy’s life is barbecue has taken him all over the world including cooking for the troops in Kuwait, and heading to Meatstock in Australia to teach his famous Cool Smoke Barbecue Class. Most recently he cooked for sold out crowds at the James Beard House, a rarity for a barbecue pitmaster.
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Product details
Hardcover: 304 pages
Publisher: St. Martin's Griffin (May 15, 2018)
Language: English
ISBN-10: 9781250137845
ISBN-13: 978-1250137845
ASIN: 1250137845
Product Dimensions:
9.8 x 1 x 8.9 inches
Shipping Weight: 2.8 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
40 customer reviews
Amazon Best Sellers Rank:
#40,195 in Books (See Top 100 in Books)
perplexed by some of the negative reviews. Full disclosure I am a friend of Tuffy's and Meathead's (got a shout out in both books) How many times can you get the same four recipes? Some dont like the goose pastrami, fine. some may... But to murder a book that has the depth of knowledge and creative non ghost written recipes is not really to fair. What about the 16 rubs, 20 sauces? Spice rubbed brisket? Smoked Brisket Chili? Coffee Rubbed Cowboy Steaks? Rack of Lamb? How about the peach and blueberry crisp. The first chapters explaining smoke fuel and fire are priceless. I'd write more but Im cooking the salisbury steak with shitake mushroom gravy.
This is an excellent book for those wanting to learn from another expert. It's not a replica of some of the more comprehensive books from Meathead and others, but it's so helpful in learning Tuffy's techniques, particularly when it comes to rubs and some out of the ordinary recipes. Much of the book is focused on recipes, but there's only so much on basics that you can absorb, and for those looking for that, they might be better covered elsewhere. The images are absolutely stunning, better than anything I've ever seen. It's a great 2rd book to buy for your library. Franklin or Meathead would be number 1 and 2.
This is a BBQ book that you can actually just pick up and read. Having Steven Raichlen do the intro was a nice bonus ('Project Smoke' is another great book). I've already learned a few new things about keeping moisture in the smoker and making adjustments on the fly. Notably, some of these recipes have nothing to do with firing up a smoker. You might think that is like being invited to a BBQ and getting served hot dogs / hamburgers... that is a wiener roast not a BBQ. However, in this case, I am good with that - there are some great grilling ideas (for weeknights) and plenty of accompaniments.
Really liked the variety of recipes. Of course the typical BBQ but also maybe some recipes to take the average pitmaster into other areas of cooking and challenging their cooking abilities. Truly dont get the bad reviews whatsoever. Ive made ribs, pork and brisket a thousand times, so thanks Tuffy for going outside the box on other recipes
The photos in this cookbook are beautiful. If it’s true you eat first with your eyes than yum! The recipes deliver too! Made the smoked paprika Mac and cheese and the dill coleslaw. Both full of flavor and nice twists on classics. Looking forward to making more. We bought one as a gift as well.
Excellent! This cookbook has substance. After receiving my copy, I bought several more to give as gifts. A must have for anyone who enjoys cooking.
I learned about this cookbook from my local newspaper. I’ve tried several different recipes and have enjoyed each one. The recipes are easy to follow, with detailed information for preparing what looks like complicated meats.I look forward to trying some of the deserts.
Best Smoking Cookbook we’ve found. Taffy Stone is TOP NOTCH!
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Product details
File Size: 3509 KB
Print Length: 211 pages
Publisher: American Writers & Artists, Inc. (October 11, 2011)
Publication Date: October 11, 2011
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B007I6MEUI
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#69,642 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
This is the best copy book I've read. By focusing on one aspect of copy. The lead, it made how to write copy a lot less confusing. Most importantly, I've always wanted a psychic awareness of knowing when a piece of copy will do well. This book has given me that and has boosted my confidence in writing copy tenfold. Thank you for this book. I know I will read it again and again.
If you've been following the AIDA, AIDCA, or emotional marketing formulas... And yet you still don't feel your message has strength and persuasion, then get this book.It's the next thing to master after having a catchy headline.The book tells you how to transition from the headline to the first sentence, then to the paragraph.You'll learn different types of prospects. Let's you choose how to custom fit your messages based on that too.The book teaches you to create that "hook".I wish the authors could have shared more examples. Really makes a good swipe file for amateurs like me.
One of the best copywriting books I've read to date. This is a must. Between your headline, and offer, the type of lead you write matters just as much. As Todd Brown put it, the rule of 3... your headline, lead and offer are the three most important components of your sales message. This short, but amazing book will teach you to write awesome leads.
This is among one of the greatest books about copywriting and the difference between words on a page and copy that moves you to act I’ve ever read.
One of the best books for headline and lead types. Very focused narrative. Can’t wait to implement them.Might need to read again
They do a great job of communicating some powerful marketing insights/nuances, and provide a framework for selecting and crafting the best sales hook for your unique situation. Highly recommended.
Crazy awesome. Both in the flow.. it's super swift to get sucked in and read the full book in a hurry.Plus, the examples in there really, really illustrate each point. Highly recommend it, I already re-readsome parts and need to make a habit of re-reading this every 4 months or so.
I was skeptical on how much value a $9 book written by a proclaimed Agora copywriter would offer. Knowing ahead of time that Agora copywriters are world-class and have extremely high conversion rates, I was expecting "Great Leads" to be exactly that - a lead generation book designed to get me into some sort of funnel to spend a ton of money on a more "advanced writing system".Throughout the whole book I was waiting for the death blow - "to learn more, opt-in here or buy this course", but it never came (After all, that is what writing great copy is all about!). This entire book is packed with tactical strategies to take your copy to a much higher level without a single sales pitch or back-end offer.IMHO, it is not for the beginner. First learn how to write B-Level copy (killer headlines, features, benefits, bullets, etc...) then use this to beef it up to A-Level work.More than just a tactical "how to", Great Leads provides some of the best swipe lead ins and breaks them down. Discover how just a few words and techniques make the difference between a flat line response and explosive, high-converting response.The book is worth the price alone just for the swipes and analysis. And, we are not talking ancient copy that was mailed decades ago. I am on some of Agora's lists and immediately recognized a few of the offers broken down in the book, they still arrive in my Inbox and mailbox.Quite frankly, I'm surprised that the secrets of the highest paid copywriters in the industry are revealed here so cheap. Take advantage and get your hands on a copy immediately. One tweak alone from this book will more than offset your cost and time to read it.
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The Artist's Way: A Spiritual Path to Higher Creativity, by Julia Cameron
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“This book has been around for a long time, and I hope it sticks around forever. It guides the reader through a fascinating (and fun) 12-week-long program of exercises and explorations that help loosen up one’s artistic self. It takes you on a journey that will cost you nothing (aside from the guidebook) and it brings much insight, gently helping you see what is holding you back, and showing you how to move forward. Three times in the last decade I've committed to doing The Artist's Way's program, and each time I've learned something important and surprising about myself and my work. Just to show how influential it's been to me—the first time I did the program, I had decided by end of it that I wanted to 1) travel to Italy and learn Italian, 2) Go to an Ashram in India, and 3) Return to Indonesia to study with the old medicine man I'd once met there. We all know what THAT decision led to. . . Without The Artist's Way, there would have been no Eat, Pray, Love.”—Elizabeth Gilbert“THE ARTIST’S WAY by Julia Cameron is not exclusively about writing—it is about discovering and developing the artist within whether a painter, poet, screenwriter or musician—but it is a lot about writing. If you have always wanted to pursue a creative dream, have always wanted to play and create with words or paints, this book will gently get you started and help you learn all kinds of paying-attention techniques; and that, after all, is what being an artist is all about. It’s about learning to pay attention.” --Anne Lamott, Mademoiselle “The premise of the book is that creativity and spirituality are the same thing, they come from the same place. And we were created to use this life to express our individuality, and that over the course of a lifetime that gets beaten out of us. [THE ARTIST’S WAY] helped me put aside my fear and not worry about whether the record would be commercial.” --Grammy award-winning singer Kathy Mattea “Julia Cameron brings creativity and spirituality together with the same kind of step-by-step wisdom that Edgar Cayce encouraged. The result is spiritual creativity as a consistent and nourishing part of daily life.” --Venture Inward “I never knew I was a visual artist until I read Julia Cameron’s THE ARTIST’S WAY.” --Jannene Behl in Artist’s Magazine “Julia Cameron’s landmark book THE ARTIST’S WAY helped me figure out who I really was as an adult, not so much as an artist but as a person. And award-winning journalist and poet, Cameron’s genius is that she doesn’t tell readers what they should do to achieve or who they should be—instead she creates a map for readers to start exploring these questions themselves.” --Michael F. Melcher, Law Practice magazine “This is not a self-help book in the normative sense. It is simply a powerful book that can challenge one to move into an entirely different state of personal expression and growth.” --Nick Maddox, Deland Beacon “THE ARTIST’S WAY (with its companion volume THE ARTIST’S WAY MORNING PAGES JOURNAL) becomes a friend over time, not just a journal. Like a journal, it provokes spontaneous insights and solutions; beyond journaling, it establishes a process that is interactive and dynamic.” --Theresa L. Crenshaw, M.D., San Diego Union-Tribune “If you really want to supercharge your writing, I recommend that you get a copy of Julia Cameron’s book THE ARTIST’S WAY. I’m not a big fan of self-help books, but this book has changed my life for the better and restored my previously lagging creativity.” --Jeffrey Bairstow, Laser Focus World “Working with the principle that creative expression is the natural direction of life, Cameron developed a three month program to recover creativity. THE ARTIST’S WAY shows how to tap into the higher power that connects human creativity and the creative energies of the universe.” --Mike Gossie, Scottsdale Tribune “THE ARTIST’S WAY is the seminal book on the subject of creativity and an invaluable guide to living the artistic life. Still as vital today—or perhaps even more so—than it was when it was first published in 1992, it is a provocative and inspiring work. Updated and expanded, it reframes THE ARTIST’S WAY for a new century.” --Branches of Light “THE ARTIST’S WAY has sold over 3 million copies since its publication in 1992. Cameron still teaches it because there is sustained demand for its thoughtful, spiritual approach to unblocking and nurturing creativity. It is, dare we say, timeless.” --Nancy Colasurdo, FOXBusiness Praise for VEIN OF GOLD, the second volume in the ARTIST’S WAY trilogy “For those seeking the wellspring of creativity, this book, like its predecessor, is a solid gold diving rod.” --PUBLISHERS WEEKLY
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About the Author
Award-winning writer Julia Cameron is the author of seventeen books, fiction and nonfiction, including The Artist's Way, The Vein of Gold, and The Right to Write, her bestselling works on the creative process. A novelist, playwright, songwriter and poet, she has extensive credits in theater, film, and television.
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Product details
Paperback: 237 pages
Publisher: Jeremy P. Tarcher/Putnam; Anniversary edition (March 4, 2002)
Language: English
ISBN-10: 1585421464
ISBN-13: 978-1585421466
Product Dimensions:
7.4 x 0.7 x 9 inches
Shipping Weight: 1.3 pounds
Average Customer Review:
4.6 out of 5 stars
1,342 customer reviews
Amazon Best Sellers Rank:
#18,425 in Books (See Top 100 in Books)
This is a wonderful book. It is a classic. Use it to enhance and bring out your creativity prior to learning an art skill.
Published in 2002, it is alsoa workbook where you go through the different exercises over a period of 12 weeks or three months. I did all the exercises, including the morning pages. It shifted me as a person as well as helped me acknowledge the creative side of who I am. It’s really freed out some of my inner wounds and also helped me to feel much more liberated and be more creative in my personal and professional life.I recommend this book to all people, even those who don’t think that they’re creative because really, when we allow our inner child to come out and play, we have much more joy in our lives and this will allow us to be creative in other areas in our personal and professional life.Whatever job that you are in, you may think it does not involve creativity. You’ll be wrong. There are elements of creativity in everything that we do. Be a fuller person so that you are just much more integrated with all that you are so that you reach your fullest potential.
I loved it! I decided to actually follow the guidelines for the book - one chapter a week, doing the written exercises, the morning pages, the artist day..and I stuck to it. That is not usual for me, but I decided to give it a try..and it worked! I still do not go to my studio as often as I should and I am still not as disciplined as I should be..but it doesn't bother me as much and I keep to the thought that this should be fun...and I have more fun! The side effect that I had completely not anticipated at all, was that I lost 25 pounds over the 16 weeks (16 chapters) and I wasn't even trying. Doing the written exercises, thinking through the material, remembering things, and writing morning pages, reduced anxiety and stress and I guess I just ate less. That made me feel good, and good feelings kept building, so, I really recommend this book to anyone who wants to try a 16week course to reexamine your life journey and pursue a more creative life ahead. I have now bought this book for so many friends..but it really doesn't do the magic unless you put the time into it. So, if you buy it, agree to all the exercises, or it is just another self-help book that will not sink in. Good luck!
I bought this as a gift and haven't heard how she liked it. I loved it, as did my niece when i gave it to her a few years ago. However, although I expected the anniversary edition to be especially nice it actually wasn't as nice as the original and I regretted choosing it.
Even though it’s a bit too spiritual for me, honestly I almost quit on the book after reading the intro. and I was really rather skeptical about how this book would help me. It sounded a bit corny like self help book for artist. Like chicken soap for the artist soul.But getting past that and actually getting into doing the assignments and homework the book ask that you do week after week. I found the book was really helpful. I guess its like anything else where you get what you put in out of it and it’s different for everyone.I read somewhere that this book might have come out too soon for its own good. I think that if had added what we know today about neurology and how the brain works, instead of the spiritual stuff it would have been better off.I have recommended this book to others (artist friends) and have had moments where I felt I needed to reread a curtain part or do a curtain writing task again. Underneath the things that turned me off, there really are some priceless gems within the pages. And if you make it too the end of the 12 weeks you’ll be glad you did.But depending on who you are and how many issues you might have (rough childhood, stuff thats happen to you in the past) I recommend this book with a bit a caution. This book causes you to face a lot of things. So just be ready for that.
This is a fantastic book if you are looking for creative direction in your life. We have so many ways we sabotage our creative desires whether it's painting, singing, writing or building a boat, we end up never even considering them to be possible. "Doing" this book can change your life. I say doing because it's a 12 chapter/ 12 week learning process through writing in a daily journal and absorbing the weekly observations and lessons in each chapter. It can change your life, it did mine. Julia has a great saying, "jump and the net will be there." Give it a try, you don't have anything to loose.
Yes, we are all creative and it should go without saying creativity is vital to all areas of our life's, professionally, with our partners, our children, just think about it. Often we put that part form of intelligence closer to that back of our minds, under utilizing this gift we all have. Ms. Cameron has brilliantly designed ways excersizes we can strengthen that unique part of our thought processes. One of her first and arguably most valuable excersizes, for simplicity we'll call them "morning notes" introduces even the most analytical of person to the stream of consciousness thought and the value of writing it down. Even the concept of an am routine supports a wellness that Ms. Cameron and her practices support. In many ways it's an abstract form of meditation ( writing down ones process of clearly the mind??). It could also be seen as a practice of mindfulness, taking that time first thing to be in the "here". There are other excersizes and suggestions that can re awaken the creativity we feel we may have lost or never had.This book is a staple for anyone who relies on their creative intelligence to live. For those who don't feel as strongly, experiment with the idea of better developing these skills, I strongly believe you will surprize yourself with results that are unique to you and each situation they effect your life.She also wrote a book to help instill and strengthen creativity and its value in all area of life. Such a skill is invaluable to learn early in life!
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Publication Date: March 12, 2019
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Language: Spanish
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Download Ebook White Working Class: Overcoming Class Cluelessness in America
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Listening Length: 3 hours and 28 minutes
Program Type: Audiobook
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Excellent read for those of us who are interested in bridging the divide between what this writer has defined as the white working class and the elite. However, it did not include what I have defined as the “hybrid classâ€, of which I and many of my friends belong. It consists of people born, raised and loved by white working class families, that went to college willingly and enthusiastically and evolved into what this book defines as an elitist. We are proud of our growth, yet still love and admire our working class families. We walk on eggshells when visiting family gatherings because we know exactly how and what our family members think and feel; however, they have no clue what we hybrids think and feel. The writer confessed she is from an elite background who married into the working class. She is trying very hard to “understand†them, but we hybrids know they are “our people†and in many ways, they are us. We love the working class independence to not accept government assistance, we fight for our country (every male in my family has been in the military), we admire their strength and endurance. We want them in our foxhole with us. We also know their racism, bigotry, and misogynistic leanings are very deep. This book will be read by mostly elitists and hopefully, they will better understand the white working class for all their strengths, and try to communicate with them better on what we all have in common. I would like to see more working class folks read this book as well so both groups can discuss it calmly; however, my experience has been that the white working class won’t read it because it is perceived by them as a condescending book written by an academic (elitist). As a hybrid, I am careful with my words with my elitist family as well as my working class family because they truly are polarized. There are a lot more hybrids out there than are recognized. They need to be addressed as well. We may be the key to a coming together in the future.
I learned two things when I opened White Working Class. One, I am a class migrant (“someone who has moved from one class to anotherâ€). Two, apparently I’m not working class at all, and never was. Williams curiously defines “working class†to mean middle class.She defines working class as: “Americans . . . with household incomes above the bottom third but below the top 20%.†She adds in as well “families with higher incomes but no college graduates,†highlighting the increasing relevance of education to class in America. This results in a range of family incomes from $41,005 to $131,962. Williams has a point when she says that almost all Americans consider themselves middle class. But calling couples who make $130,000 a year “working class†is silly. Williams contrasts the working class with “elites,†i.e., “Americans with household incomes in the top 20% and at least one member who is a college graduate.†This elite is largely a professional and managerial elite (PME).By this measure I was only working class for a brief few years between grad school and law school. Otherwise I have been poor or elite my entire life.(I don’t like Williams’ definition, but for the purposes of this review, when I say “working class,†I mean working class as she defines it.)Williams was motivated to write this book by attempts to answer “the kinds of questions people tend to ask me in blunt private moments. Questions like, ‘Why doesn’t the working class get with it and go to college?’ and ‘Why don’t they just move to where the jobs are?’†I will focus on those two questions first.College and the Working ClassOne reason members of the working class don’t go to college is that it doesn’t make sense for everyone to go to college, because a college degree isn’t a sufficiently useful credential for every job. Our public policies, and especially the public discourse in the news, is almost obsessively focused on college. This reflects the biases of policymakers—college graduates almost to a man and woman—and of the elites who have an outsized influence public policy, rather than the economic reality. Even today, only around a third of adult Americans have a college degree.A college degree is less valuable for members of the working class. They lack the social capital to maximize their investment: “Working-class kids worry they might end up with a first-class degree and still fail to get a job because they don’t know the unwritten social codes of professional life.†And we have evidence that class bias matters. For example, Williams writes about a study showing that top law firms responded to subtle clues as to social class in resumes (it was probably a mistake to list “old time music†as an interest when I was applying to law firm jobs).College is a risk. Williams points out that “an increasing number of male college grads end up in low- or medium- skilled jobs†and that between 15 and 20% of “college graduates earn less than does the average high-school graduate.†(I would have liked to learn who these people are and whether they are more likely to come from the PME or the working class.) This after college tuition has risen at well above the rate of inflation for decades.The working class values devalues a college education because so many of the jobs it opens up are “pencil pusher†jobs that the working class doesn’t value. The working class does value, on the other hand, the farmers who feed the country and the oil workers who keep the economy moving. They have a point.And working class high school students are sometimes steered away from top-tier schools. My guidance counselor did even though she knew my grades were good enough for a top-tier school.But, still, the “rigid, highly supervised jobs†of the working class “often are boring, repetitive, or both, which makes the work psychologically challenging.†This is nothing new, although there are fewer of them. There are, of course, more interesting and remunerative jobs available. But we have increasingly walled off jobs with occupational licensure. And we culturally denigrated the skilled trades (now facing a labor shortage). We killed vocational training because it made elites uncomfortable. Up-credentialing—requiring an expensive college or master’s degree where unnecessary—created an unnecessary bias toward families with money and the cognitive elite.Economic MobilityWhy don’t members of the working class move to where the jobs are? They have in the past, but when they moved, they largely moved as family units.The PME and the working class build networks in fundamentally different ways. The large “entrepreneurial networks†elites work assiduously to build, largely for the professional benefits, are seen as insincere by the working class (the working class values sincerity; “[t]he professional elite values irony and polishâ€). I take naturally to building those networks, but I have a bad habit of mistaking them for something other than the transactional relationships they are.The working class, on the other hand, rely on “clique networks,†“where everybody knows everyone else and ties run deep.†My mom moved to my hometown as a pre-teen; she was married to my dad a couple years before she became “one of them.†But almost twenty years after my dad died one of us she remains. These “clique networks†(there is a certain class bias baked right into the names, by the way) provide “material help with child car and home improvements—things wealthier families buy.†This makes working class families less mobile, because clique networks are valuable, local, and cannot easily be recreated.“Moving for a job doesn’t strike the professional elite as odd, because the professional elite relies heavily on work to shape identity.†The working class sees it very differently. People from back home care little about my job. There seemed to be a general sense (before we had our daughter), that any professional success was at least canceled out by a failure to stay at home or start a family. There is, after all, “the question of what moving away might imply: that you care more about your job than your community.†Family is a priority to the working class in a way that it is not to the elite. You might see that as necessary to the functioning of the “clique networksâ€; I would also argue that it is morally superior.Institutions, or “Little Platoonsâ€Blue collar families embrace institutions that promote the traits they value, like stability and self-discipline. Especially religion. (This is an area is which Williams’ odd definition of working class can be a bit misleading. According to Pew, the annual household income tranche most likely to attend religious services at least once a week is $50,000 to $99,999. And Williams may make too much of the difference. The range from the lowest tranche ($100,000+) to the highest tranche is only from 30% to 37%.)Another institution promoting stability and self-discipline is the military, which “provides a reset button—a proxy for being brought up in a stable and ordered environment.†Another way to look at it is as the literal military platoon being a Burkean platoon—one that recruits and pays.(Williams frequently cites J.D. Vance’s Hillbilly Elegy, by the way.)Williams sees the working class as having a “communitarian streak†that “manifests itself in other, clearly laudable ways. Households earning $50,000 to $75,000 give away far more of their discretionary income (7.6%) than do households earning $100,000 or more (4.2%).†Presumably this undercounts, because it doesn’t include informal charity (including non-monetary charity) through clique networks.Along with the extended family, these institutions provide the backbone of civil society. Williams’ “working class†should be lauded for keeping them going, especially since civic engagement has dropped sharply.Class Cluelessness“Class consciousness†has been replaced by “class cluelessness†and “class callousness.†Elites went from honoring the working class to scorning it.This leads to an intense bias in public discourse (which is dominated by elites) toward elite values as opposed to working class values. Williams tends to share at least some of that. She carefully documents the working class but talks about them like a bug through glass. There is a lot to be said for working class values, and not just on family. “[W]hen asked what traits they admire, both black and white working-class Americans mention moral traits, in contrast to elites, who derive self-worth more from merit than morality.â€Part of overcoming the growing class divide in America is elites recognizing that elite folkways are just that, not “good taste.â€The 2016 Election, Sex, and RaceSome of the strongest parts of the book deal with the 2016 election.Hillary’s campaign was class-clueless because it focused on shattering the glass ceiling and “[s]hattering the glass ceiling means giving privileged women access to the high-level jobs now held almost exclusively by privileged men.†(It also wouldn’t exactly be a great step forward for the working man or woman for political power to pass between spouses.) Married working class women instead responded to the weakness in the blue collar job market on which their husbands relied.Elites and the working class see sex and race in different ways. “For working-class women, becoming a homemaker signals a rise in status, not only for herself but for her entire family. But for PME women, becoming a stay-at-home mother entails a fall in status, from investment banker to ‘just a homemaker.’†The treatment of sexism is also class-coded. “When it comes to gender equality, elite men tend to talk the talk but don’t walk the walk; working-class men walk the walk but don’t talk the talk. For example, the average working-class man is less likely to espouse egalitarian [rhetoric] than his professional-class counterpart; but he spends more time caring for his children than does his elite counterpart.†But public discourse focuses on the former over the latter.Williams also points out, quite correctly, that PME and working class whites express racism in different ways, ways that reflect their own relative values: the PME construe people of color as lacking in merit and the working class construe people of color as lacking in morality. The anti-racism norms of the PME, though, focus on the sort of racism more common among the working class.Working class views on success also partially (very partially) explain why Trump is (and has been, going back well before his political career) popular with the working class. They distrust the PME but admire business owners. “For many in the working class, becoming a member of the professional class is an ambiguous achievement—you have more money, yes, but you also have to adopt new folkways, like two-facedness.†This is something I have struggled with, and in many ways it is as constraining as “boring†and “repetitive†working class jobs. Owning a business, on the other hand, represents a freedom from that. And real estate is seen (incorrectly) as more real and valuable than wealth made up of shares in the residual earnings of a corporation.Williams’ PrescriptionsLess worthwhile is the prescriptive section. Williams certainly has her political and ideological bias, and your view of this section will probably depend in large part on your own priors.I don’t share Williams’ priors, but it is silly to act as if there is a level of anti-government propaganda that is insurmountable by a media, public education system, higher education system, and the bureaucracy itself that are largely dominated by the Left. More likely? The working class are unimpressed by their interactions with government, they see public resources siphoned off for the benefit of the elite, and they have just enough money to pay taxes and for those taxes to hurt.Williams says some very sensible stuff. “Rather than turning the climate change debate into a fight over the authority of science, why not enlist the support of farmers who see the changes on the ground as desertification sets in?†But doesn’t that also mean talking to the people affected by onerous regulations directed at combatting climate change? Working class Americans would tend to respect the traditionalism and work ethic they share with immigrants. But “working-class whites, themselves disciplined by rules, tend to disapprove of those who don’t follow them.†And the national discourse focuses on illegal immigration, which saps support for legal immigration.“Means-tested programs inadvertently set the ‘have-a-littles’ against the ‘have-nots.’†True welfare stand in contrast with programs tied to work, which working class people see as “an income that a person deserves and has basically worked for.†Given how those programs have been sold, that makes sense. Williams is wrong, then, to echo the oft-repeated mockery of Tea Party members demanding that government take its “hands off our Medicare!†Medicare is billed as being something we pay for through our payroll taxes.I won’t belabor my various policy disagreements with Williams. In part because it is a bit of a moot point. “The working class—of all races—has been asked to swallow a lot of economic pain while elites have focused on noneconomic issues: this is the first generation in American history to experience lifetime downward mobility compared with people their age a decade before.â€The Economic Divide and ConclusionThere was a big economic shift over the past several decades. “The typical white working-class household income doubled†between 1945 and 1975 but has been stagnant since. During that period, “professional-elite wages . . . increased dramatically, while the wages of high school educated men fell 47%.†The malaise looks much worse when you get beyond wages. “The percentage of men so discouraged they are not looking for work has tripled.†The number of white children living in poor neighborhoods has increased sharply. And “[w]hite working-class men now are dying younger than they did a generation ago.â€Williams describes disability as the “most valuable†program for the working class, but it is impossible to ascribe the drastic increase in disabled—e.g., 1 in 4 working-age adults are on disability in Hale County, Alabama—as reasonably related to actual disability rates given changes in work and in medical care. Disability instead operates as a crude form of welfare with extremely negative cultural effects.It is one thing to criticize working class men for failing to adapt to a changing market, but PME men are doing so from the perch of high-status, high-paying jobs in healthy professions.Williams notes that the working class have shifted from elite folkways to those of the poor when it comes to having children before marriage. Williams sees “the decline in marriage as a symptom of the working class’s economic decline—not, as some argue, its cause. I disagree. People can be poor as heck and happily married—ask my mom. There is a deeper issue here.Williams’ political prescriptions are off. On the other hand, her calls for elites to better understand and appreciate the working class and their values are more than welcome. But while the populist rebellion against elites is very real and is rooted in valid complaints (and of which Trump is merely an opportunist), the issues with the working class are largely cultural issues. Issues that cannot be fixed politically, because government cannot fix culture (though it can break it), and issues that cannot be fixed by elites, because people from outside a culture cannot fix that culture (although the informational role of outside observers is vital).There is also great value here in focusing on white Americans. Public discourse in American tends to ineluctably be shaped by race, and not without reason. But it can obscure real issues. The problems of the black working class, or the Hispanic working class, are not that different than the problems of the white working class. But, as Williams shows, in the US the Left tends to talk about the white working class the same way that the Right talks about the non-white working class, and neither are helpful.The biggest takeaway is that education is increasingly driving both the definition and importance of class in America. This is a big deal. We don’t sufficiently understand what it means, and we aren’t worrying enough about it.Disclosure: I received a review copy of White Working Class via NetGalley. (If my review shows as a verified purchase it is because I bought a hardcover copy after the fact for professional purposes and to loan to my wife.)
God, I hope the Democratic leadership pays attention to Joan Williams. I didn't agree with everything she said, but she is at least trying to understand why, since the days of the "Reagan Democrats," white working class voters have gone for the Republicans even as the Republicans promoted policies that shafted working people. The answer, according to Williams, starts with dignity. Liberal elites, for all their claimed devotion to cultural sensitivity, have disrespected the culture of prideful work in hard jobs, settled living, and devotion (at least rhetorically) to family and place. Williams calls on the elites to extend their empathy to the anger and pain of those who have seen the middle class rug pulled out from under them. I thought a lot of her policy recommendations made sense, but her bigger point is that, one way or another, we have to respond to the even greater disruptions that globalization and technology will bring to non-college educated workers of all races. All in all, a timely and useful book on an urgent subject.
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Download Ebook Boomer Brands: Iconic Brands that Shaped Our Childhood, by Barry Silverstein
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Boomer Brands: Iconic Brands that Shaped Our Childhood, by Barry Silverstein
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Review
When was the last time you had your memory tickled over a long-forgotten but prized product that shaped your childhood? You'll find a lot of those "Oh, yeah, I remember" moments in Barry Silverstein's wonderful wander down Memory Lane. "Try it, you'll like it." Ron Schon, Retired Advertising Agency Executive and OLLI Instructor, "The History of Advertising" Boomer Brands is a delightful book filled with fun facts about our favorite childhood brands and memories. If you're over 50, you're sure to enjoy this nostalgic, entertaining and informative stroll down Memory Lane. Nancy Collamer, Career/Retirement Coach and Author, SecondAct Careers If you remember watching Saturday morning TV while slurping down a bowl of Frosted Flakes, or perhaps begged your parents to visit Disneyland after watching Wonderful World of Disney on Sunday night, you'll want to read Boomer Brands. This enjoyable, easy read is chock full of fun facts about what made the brands we grew up with iconic. Anne Holmes, "Boomer in Chief," National Association of Baby Boomer Women Barry Silverstein offers a fun walk down Memory Lane for boomers, describing what made some of their favorite childhood brands so treasured then and now. Richard Eisenberg, Managing Editor, Nextavenue.org For a delightful look at the products and mores that shaped the lives of the boomer generation, you can't do much better than Boomer Brands by Barry Silverstein. ... Boomer Brands is a quick read, and Barry Silverstein provides some marvelous anecdotes concerning his subject matter. ... If you're looking for some pleasant nostalgia, a fond look at a simpler time, and a good book to curl up with for a few hours, then you've found just that in Boomer Brands. I highly recommend it. 5 Star Review, Keith Julius, Readers' Favorite Boomer Brands is a sunny, nostalgic showcase of some of the beloved toys, foods, television shows, and consumer goods that formed such a huge part of that generation's youthful memories. ... The book provides a memory-filled history of how items were developed and strategically marketed, including the reasons why boomers have such a strong emotional attachment to their favorite brands. ... Boomer Brands is an informative and lighthearted peek back at the way Madison Avenue created a huge and enduring market for many iconic consumer products and social trends. 5 Star Review, Rachel Jagareski, Foreword Reviews A unique, entertaining, nostalgic, and impressively informative read from first page to last, Boomer Brands is an extraordinary and very highly recommended addition to both community and academic library collections. Midwest Book Reviews In 14 breezy but highly informative chapters, Silverstein covers various product categories that were popular during the Boomer childhood years... a delightful journey through a time that saw 'the birth of the modern brand.' Publishers Weekly
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About the Author
Barry Silverstein is a Boomer, freelance writer and retired direct marketing/brand marketing professional. He ran his own direct marketing agency for twenty years and worked for other leading marketing agencies and organizations during a forty year marketing career. Silverstein is the author of numerous non-fiction marketing and small business books, including Business-to-Business Internet Marketing (the first book on the subject), Internet Marketing for Technology Companies, and The Breakaway Brand. He teaches an online course, "Big Brand Strategies for Small Brands." He also writes a blog for Boomers called "Happily Rewired." Silverstein resides with his wife in the Asheville, North Carolina area. His website is www.barrysilverstein.com
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Product details
Paperback: 194 pages
Publisher: GuideWords Publishing (February 5, 2019)
Language: English
ISBN-10: 0996576037
ISBN-13: 978-0996576031
Product Dimensions:
6 x 0.4 x 9 inches
Shipping Weight: 9.9 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#448,823 in Books (See Top 100 in Books)
First, let me confess I am a NOSTALGIAPHILE! I absolutely LOVE to learn about the hows and whys of things of exciting places or events and or items. I especially love that which brings back fond memories of my yesteryear. "Boomer Brands" hits the sweet spot for me. When I came across this book I felt it would be a great addition to my library, I was so right! It is a great read, chock full of all kinds of information on TV shows, foods, toys of the times, etc.My bookshelves are full of reference books of all types. This book will have a prominent home there. I can only imagine the difficult time the author had in deciding on what to include in this book. While I read the book I anticipated what would be coming often I was right. There were times I was wrong. There is definitely a pleasant task awaiting the author, the next iteration of this theme.If you love that what was and want to be surprised at what still is, you will want to purchase this well written authoritative book.This book will be my new gift to my fellow Boomers! I patiently await "Boomer Brands 2"
Did you imagine yourself part of Howdy Doody’s Peanut Gallery? Did you balance a bowl of Sugar Pops on your lap while watching Saturday morning cartoons? Did your family take road trips with no seat belts, car seats, or air-conditioning in a Woodie? Did you watch The Wonderful World of Disney with your family on Sunday nights eating Swanson TV dinners?If so, Barry Silverstein’s new book, “Boomer Brands: Iconic Brands that Shaped Our Childhood†will help you step back to a simpler time and relive all those precious memories. We baby boomers are a sentimental bunch and this book is sure to bring a smile and a warm, fuzzy feeling to those who grew up in the 50s, 60s, and 70s.Silverstein, as a retired brand marketer, takes a unique look at some of the beloved brands and ads we boomers remember fondly. Advertising was simpler since kids were easily impressed before the era of technology. As the author points out, View-Masters, Polaroid cameras, and colored TVs blew our minds. Remember StarKist’s mascot, Charlie the Tuna? The spokes-tuna that uttered the iconic phrase, “Sorry, Charlie,†because he wasn’t good enough to get caught and be canned by the famous brand of tuna? “We kids may not have understood the whole logic behind ‘why would a tuna want to be caught,’ but that didn’t really matter,†Silverstein writes. Used to slapstick violence in cartoons like Tom & Jerry, The Roadrunner, and the Bugs Bunny Show, some ads appealed to our more aggressive side like the 60s slogan, “How about a Hawaiian punch?†Advertisers were also able to use our fascination for space to sell us an orange-powdered drink mix, Tang.The book lists products we loved like Little Golden books, Jiffy Pop, Silly Putty, Bazooka bubble gum, Schwinn bikes, and Twinkies. Silverstein also includes programs we watched such as Bozo the Clown (I loved this show so much I had an imaginary friend named after him) Beany & Cecil, Romper Room, H.R. Pufnstuf, and Mighty Mouse. They’re all here as well as popular beauty products, automobiles, restaurants, and music that we all adored.Both nostalgic and informative, this book is a must-read and highly recommended for baby boomers who want to meander down Memory Lane.
"Boomer Brands" is a clever way to recall our youth - the Good Humor truck and raspberry popsicles, TV dinners on TV trays, Birkenstocks to Woodstock, and the rise of our commitment to Keep America Beautiful with billboards that dotted the first cross-country highways. No matter when you became a part of the Boomer generation when reading 'Boomer Brands' you'll recall long-forgotten memories and those with whom you shared fun times. An easy read, it's a great gift for your Boomer friends and a way to share your youth with children and grandchildren alike.
Do you remember the excitement of finding a Captain Midnight decoder ring in your mailbox, or digging through a box of Cheerios in search of a toy replica of the Lone Ranger? If you want to feel that excitement again, you must read Boomer Brands.Barry Silverstein has lovingly collected and categorized the most iconic brands of the 50’s and 60’s which influenced what we ate, what we watched on TV, and who we admired (or wanted to be). You will be transported back to a simpler time and place when TV commercials, and the actors who promoted their products, were actually fun to watch. Who doesn’t remember Mikey who didn’t like anything (except Life Cereal)? And find out how the vanilla cream filling came to be in Twinkies. You’ll be surprised.So hop on this magic carpet ride to your childhood. I guarantee you will enjoy the ride.
Anything that can give us a momentary escape from the world we live in is a big plus in my book, and this book does that especially for Boomers On television remember The Lone Ranger, Mr. Wizard, and Huckleberry Hound? Remember snacking on Twinkies, Oreo cookies and those trips to the Good Humor truck? These are just some of the subjects covered in Boomer Brands which also gives you some insight into the origins of these iconic subjects. Barry Silverstein creates some wonderful memories for us and you will not be disappointed!
It is said that among the advantages of losing our memories as we age is that we are always meeting new friends, we can hide our own Easter eggs, and we are always meeting new friends. Similarly, I really enjoyed reading -- and be reminded of -- so many of the things that made up my youth. And I enjoyed reading it the second time just as much. And the third.... I think I remember that right.
I enjoyed reading Boomer Brands as it's a quick read and cleverly written. This book takes you back to special memories that you may have tucked away and helps the reader to remember the brands that shaped our childhood. I loved reading about the history of the products and would highly recommend this book to any fellow boomer and non-boomers.
This is an awesome book! What a great gift idea, as we all know a "boomer". Page after page, I was reunited with images of my past. Reading this book was like taking a trip to the antique store in my mind. Thanks Barry, for putting all these memories in the forefront.
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