Ebook Free Learning From Las Vegas (The MIT Press)

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Learning From Las Vegas (The MIT Press)

Learning From Las Vegas (The MIT Press)


Learning From Las Vegas (The MIT Press)


Ebook Free Learning From Las Vegas (The MIT Press)

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Learning From Las Vegas (The MIT Press)

About the Author

Robert Venturi is an award-winning architect and an influential writer, teacher, artist, and designer. His work includes includes the Sainsbury Wing of London's National Galler; renovation of the Museum of Contemporary Art, San Diego; dozens of major academic projects; and the groundbreaking Vanna Venturi House.

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Product details

Series: The MIT Press

Hardcover: 216 pages

Publisher: The MIT Press; Facsimile edition (September 22, 2017)

Language: English

ISBN-10: 0262036967

ISBN-13: 978-0262036962

Product Dimensions:

10.8 x 1 x 13.6 inches

Shipping Weight: 4.4 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#400,410 in Books (See Top 100 in Books)

The early projects are simply amazing. Better than anything Eisenman could do in terms of working on the language of architecture. Better because it is without the Chomsky-ian appropriation and Semiotic nonsense.

The production quality is low. I think someone else mentioned that it seems to be a bound mimeograph of an older version of the book. And, as the introduction of the book warns, this is an abridged version of the original report. I glanced at the original in the library and was delighted to have the shorter copy. I think that all the parts that a general architectural tourist might want are here.

good good

Great book on the analysis, of the architecture of Las vegas. This was a ground breaking analysis on the nature and an artistic analysis of what is going on in this city.

ROBERT VENTURI WAS ONE OF MY PROFESSORS AT PENN, DENISE SCOTT BROWN WAS A CLASSMATE.WE ARE STILL LEARNING FROM THEM, 55 YEARS LATER.

It was for daughter of my friend for school. She is satisfied. Thanks.

"Learning from Las Vegas" is a powerful argument for challenging root assumptions. In this particular case its assumptions about architecture and how modernism wanted to strip away ornamentation in favor promoting form and space. "Learning from Las Vegas" sees this as just another form of bias.In part one, the authors looked back to older forms, found in the renaissance and beyond where churches were as much about signs and symbols as space and form. They see the Vegas strip in particular as a great example of the promotion of signs and symbols as integral to the structures. This wasn't merely ornamentation nor was it decorative. The Strip is a commercial zone and successful architecture is that which first stands out with its message and then engages the viewer with it. That isn't a nice byproduct of architecture that is essential to making the architecture successful.Part two is entitled, "ugly and ordinary architecture or the decorated shed," which is most powerful in comparing two ordinary senior housing complexes which come from very different architectural aesthetics. One, the "Crawford Manor" is a poster child for modern architecture and the other the "Guild House" looks as if it had no architecture. What is interesting about this comparison is that it doesn't attempt to show that one approach is superior than the other only the architecturally driven building, the "Crawford Manor" ends up as boring and flawed as the less designed "Guild House." Unity and consistency in achieving an architectural vision isn't enough to make a successful building. Fun, whimsy and accessibility of style are even more important.I could see where this book which promotes architectural fun and accessibility could be seen as an argument for Post-Modernism but instead the book isn't ready to concede that modernism won the argument. The book instead undermines the very essence of modernism - the triumph of space and form over ornamentation that post modernism necessarily embraces.

This book had a good premise, and within the book there were a few interesting gems I was able to walk away with. But the book is plagued by a poor writing style that didn't convey thoughts coherently or hold the attention of the reader.

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